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They further refined the shot by using several reference frames to correct the lighting. There was also a hand passing through the light source. In the master shot used by the film, the cap was not there. A bottle of pills fell under a bed and the cap remained directly in the light source. In another shot, Jack used a reference frame to calculate lighting changes in a clip. “Content-Aware Fill in After Effects stayed true to the reference shot of what the jacket was supposed look like, and it did it over multiple frames,” says Jack. He then brought the frame back into After Effects and ran Content-Aware Fill, which adjusted the other frames to match. To fix the shot, Jack created a reference frame in Photoshop of the jacket with the bulges removed. In the original scene, the squibs were visible under his jacket-especially when the sun reflected off them. One scene in A Score to Settle uses squibs, which are miniature explosive devices, to simulate Nicholas Cage being shot. With Content-Aware Fill, the dream of easily painting or cloning out items is now a reality. But in reality, the clone work has to be so precise, it’s an impossible task, as even the smallest changes in paint or texture chatters in playback,” explains Jack.
#Adobe after effects content aware fill how to#
“When people start learning how to do removal, they often think it’s simply a matter of painting or cloning items away using adjacent frames. Now with Content-Aware Fill, Jack can accomplish many of these tasks directly in After Effects or by using it in conjunction with Adobe Photoshop to create reference frames to help handle lighting changes in shots. The studio does most repairs by tracking clean plates and painting. “For me, Content-Aware Fill in After Effects is a huge tool in my tool box.”Īlmost every project Java Post works on requires some form of removal, such as logos, objects, or shadows. “Repairs are a big part of any high-end production,” says Jack.
His focus on fixing shots is one of the things that drew him to Content-Aware Fill. Today, he’s a go-to person in the industry for fixing shots and doing invisible effects work.įor the past few months, Jack spent time testing Content-Aware Fill in After Effects, and even used it on an upcoming Hollywood film, A Score to Settle, starring Nicholas Cage and Benjamin Bratt. After purchasing Adobe After Effects in 1995, he started focusing exclusively on post-production, namely visual effects and color correction work.
One customer, Jack Tunnicliffe of Java Post, is a veteran of the film and television industry, having worked in nearly every aspect of film and television production. In the months leading up to the big reveal, some very talented creative professionals road tested features in the latest beta version of Adobe After Effects and provided valuable feedback to the product teams.
#Adobe after effects content aware fill professional#
It’s that time of year again, when Adobe raises the bar with amazing new features in its professional video and audio tools. Java Post Adds to its Invisible Effects Toolbox with Content-Aware Fill in Adobe After Effects - by Michelle Gallina, Adobe Blog. In this feature article from the Adobe Blog, Jack explains how Java Post Production is using Content-Aware Fill to make invisible VFX repairs to video productions, including the upcoming feature action-thriller, A Score to Settle, starring Nicholas Cage and Benjamin Bratt.
#Adobe after effects content aware fill software#
Jack has been an After Effects user for many years, and has been selected to beta test quite a few Adobe software products in the past. Enterprises will be able to extend Firefly with their own creative collateral in order to generate content that includes the company’s images, vectors and brand language.Video software giant Adobe selected Jack Tunnicliffe of Java Post Production to beta test its latest VFX software, Content-Aware Fill in Adobe After Effects.
The company says that Firefly is the only AI service that generates commercially viable, professional-quality content, and is designed to be embedded directly into creators’ workflows.įirefly’s first model is trained on Adobe Stock images, openly licensed content and other public domain content without copyright restrictions.
In a press release, Adobe emphasized its decade-long history of delivering AI capabilities through its Adobe Sensei technology, including features like Neural Filters in Photoshop, Content Aware Fill in After Effects, Attribution AI in Adobe Experience Platform and Liquid Mode in Acrobat.īut since its launch six weeks ago, Adobe Firefly has become one of the company’s most successful beta launches, with beta users generating over 100 million assets. “To be frank, it’s been a decade since I felt a moment like this where I felt people are just going to be shocked, surprised and delighted.” Building on previous Adobe AI capabilities Yap added that she has been at Adobe for 25 years and working with Photoshop for nearly 18 years.
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